Robert Richardson

Brittany Beach 1 (2014): from an ongoing series of visiting different countries during the summer.

Brittany Beach 2 (2014): from an ongoing series of visiting different countries during the summer.

Brittany Beach 3 (2014): from an ongoing series of visiting different countries during the summer.

Brttany Beach 4 (2014): from an ongoing series of visiting different countries during the summer.

Snack Bar (2017): an open air snack bar in the centre of Gdansk.

A woman and Two Bubbles (2017): a quiet courtyard off Dluga Street (the main street of Gdansk), from where the bubbles had drifted during a children's play activity. The result is quite surreal.

Cleaning the Attraction (2016): A children's fairground ride in Valencia.

Ignoring the Animals (2013): taken in Augustow, Poland, which is an inland resort close to the Lithuanian border.

English Fairground Ride (2013): part of my ongoing 'Bright Side Up' series, photographs of showgrounds and markets in Melton Mowbray, the town where I live.

Zadar Seafront (2022): taken during a visit to Croatia, very close to the Sea Organ installation at Zadar.

Paddling (2022): I'm influenced by the French humanist photographers, and enjoy recording quirky individualism (this was taken on the island of Dugi Otok, part of the Zadar Archipelago, Croatia).

Emerging (2022): taken using my phone camera on the island of Dugi Otok, part of the Zadar Archipelago, Croatia.

Woman and Two Boats (2022): with Croatian friends, I took a boat trip from the island of Ugljan to the island of Dugi Otok, where this was taken.

Observation (2016): a juxtaposition of street art and a person walking by it (in Valencia).

Neighbours (2016): a moment portraying two elderly men in Valencia.

Checking Phones (2012): the ubiquitous looking at phones means this might be anywhere. It was in fact on the island of Rhodes.

Croatian Seafront (2022): two foreground figures and a busy backdrop of people and boats at Split, the major city of Croatia's Dalmatian coast.

At the Water Pipe (2012): cooling down at a beach in southern Turkey.

Turkish Beach (2012): a composed arrangement of people, objects, boats and landscape.

Beach Amusements (2017): taken at Gdansk's small beach/resort area.

Robert Richardson

In the late 70s, I studied Communication Design at the faculty of art and design of a London polytechnic. I’ve also studied Education at a teacher training college and a university. For many years, I worked as a lecturer, first in further education and then higher (De Montfort University, Leicester). I now work independently as a visual artist and writer. I produce artworks in various visual media, though for around 10 years, at the beginning of this century, I concentrated on photography. I have three framed exhibitions: Bright Side Up (fairs and markets of the town where I live, Melton Mowbray); French Windows (photographs taken in different regions of France); Romeinaround (photographs taken on a visit to Rome). To begin with, I was trying, through photography, to create my own version of Pop Art. After this, I became more interested in street photography, with a strong influence from the French humanist photographers. This continues  and merges with photographing in the different countries I visit. I have exhibited at various venues in the UK, and this has included Cumberland Lodge, Windsor Great Park and the Museum of Classical Archaeology, Cambridge University. In 2018, I had a solo exhibition at the Museu Municipal in Faro, Portugal.

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