Tina Rowe

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80x20 Sliver Gelatine Print

35x35cm Selenium Toned Silver Gelatine Print

35x35cm Selenium Toned Silver Gelatine Print

35x35cm Selenium Toned Silver Gelatine Print

35x35cm Selenium Toned Silver Gelatine Print

80x20cm glicee print

80x20cm glicee print

80x20 glicee print

60x20cm Giclée print 2017

60x20cm Giclée print 2016

60x20cm Giclée print 2016

60x20cm Giclée print 2016

5 Panel Liquid Emulsion on Mulberry Paper 120x40cm 2016

Covent Garden 4 Panel Liquid Emulsion on Mulberry Paper 100x40cm 2016

5 Panel Liquid Emulsion on Mulberry Paper 120x40cm 2016

Six Panel Liquid Emulsion 65x40cm 2016

wide angle pinhole 2017

wide angle pinhole 2017

wide angle pinhole

wide angle pinhole

Tina Rowe

I mainly work with analogue, because I like it. I got weary of the sharpness of digital and even my Hasselblad to some extent.  What I like about the pinhole, especially the wide angle pinhole, is the long exposures reveal stuff that is not apparent in a fleeting look, most shutter releases are fractions of seconds.  Chasing after some kind of decisive moment it is easy to pass by the interestingness of the effects of other stuff.  With films you get reciprocity failure where the emulsions start to behave in unpredictable ways.  Some things disappear, but other stuff is revealed.  My first love was drawing, I think it shows.

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tinarowe.co.uk

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