Mandy Williams

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The view of the sea through a beach shelter window

The view of the sea through a beach shelter window

People following paths out to sea, even when those paths have nearly disappeared. Something in our DNA that draws us to the water's edge, also a metaphor for the times

People following paths out to sea, even when those paths have nearly disappeared. Something in our DNA that draws us to the water's edge, also a metaphor for the times

Places I have not yet seen. They use GSV as a starting point to create somewhere otherwordly

Places I have not yet seen. They use GSV as a starting point to create somewhere otherwordly

A photograph shot in south east London along the river. Twice a day at low tide the Thames draws back to reveal a variety of 21st century treasures for future generations to consider - bicycles, traffic cones, isolated trolleys and trolley families.

Mandy Williams

I am a London-based artist working with photography and video.  I’m interested in new approaches to landscape photography and the psychology of place.

The beauty of a landscape isn’t that important to me. Most of the time my photographs show a landscape that has been compromised – either by environmental factors or by its connection to a past narrative.  It can also be disrupted by surface interventions and flaws. The locations are never random; they are specific sites that I return to again and again.

I regularly exhibit my work and have been published in Shots Magazine, #Photography, KALTBLUT Magazine, Another Place Magazine, L’Oeil de la Photographie and Plateform Magazine. I received the Photography prize at the Royal West of England Academy in 2014, 3rd place in the International Photographer of the Year Award 2017 in Landscapes: Seascapes, was shortlisted for the Hariban Award in 2018, and am an Awardee in the Julia Margaret Cameron Awards 2018.

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