M. Collins

Latin tattoo on reclining figure

A perfect shop window mannequin with poise and emotion. Real and yet not real. Fake and yet not fake.

Sheep coming slowly into view on a medieval hilltop - Uffington - in the predawn mist

Looking down on people walking through the same space at different times.

A stone stairway where it feels that very little has changed over its years with different people doing the same things that have always been done here.

Bare birch trees on a winter's day

The contoured back of a sculpture by Jonathan Hateley

An ethereal dancer in sequins singing to a remote balcony of admirers. She has the pose and an air of desperation.

A forgotten Morris Minor slowly being engulfed by a hedge and flowers

Distorted crowds (by offset repetition) on West 34th Street, NYC. North side.

Distorted crowds (by offset repetition) on West 34th Street, NYC. South side.

Unused balcony furniture on a high rise apartment block distorted by the safety glass

Having a picture taken as the Tet holiday looms affects everyone.

Famous cinema face in Nottting Hill. Blue building and red neon letters

Man waiting for a bus in the wind and rain on the shorefront. Water everywhere

Blue rain, grey-blue sky, blurry image of rain on a seashore

Red curtains, red light, red wall, red room

Intense concentration and focus of a Flamenco dancer

Exploring the Winter Garden through an unlocked door.

M. Collins

Mango Collins started out as an industrial photographer in the 80s, before diverting into serious eduction and work in the pharma & biotech industries. Educated, employed and resident across Europe and the US, he always had a camera with him while working. He prioritised his photography again after accidentally retiring to Hastings in 2017. He is a regular exhibitor with ongoing photographic sales and commissions.

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