M. Collins

Mardi Gras-wear like cat

Latin tattoo on reclining figure

Guitar player still and in motion at the same time. Release at the end.

A perfect shop window mannequin with poise and emotion. Real and yet not real. Fake and yet not fake.

The contoured back of a sculpture by Jonathan Hateley

Intense concentration and focus of a Flamenco dancer

Distorted crowds (by offset repetition) on West 34th Street, NYC..

What happens in the mist. White Horse Hill, Uffington - predawn.

Looking down on people walking through the same space at different times.

A stone stairway where it feels that very little has changed over its years with different people doing the same things that have always been done here.

An ethereal dancer in sequins singing to a remote balcony of admirers. She has the pose and an air of desperation.

Monk waiting for his tourists to catch up. Cambodia.

Man waiting for a bus in the wind and rain on the shorefront. Water everywhere

Blue rain, grey-blue sky, blurry image of rain on a seashore

Red curtains, red light, red wall, red room

M. Collins

M. Collins started out as an industrial photographer in the 80s, before taking a different road. While being educated, employed, resident  and raising a family across Europe and the US, he always had a camera somewhere nearby. He was able to prioritise his photography again after accidentally retiring to Hastings in 2017. He is a regular exhibitor with ongoing photographic sales and commissions.

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